Praised for his “brilliant voice” and “masterful acting,” American tenor and actor Ethan DePuy brings his unique dramatic style to works ranging from the Baroque era to now.
DePuy trained as a young artist at the Chautauqua Opera Company, where he was a recipient of the Young Artist Encouragement Award. His list of credits includes Nemorino in L’elisir d’amore, Peter Quint in The Turn of the Screw, Alfred in Die Fledermaus, the title role in Albert Herring, Don Basilio in Le nozze di Figaro, Jaquino in Fidelio, King Kaspar in Amahl and the Night Visitors, Dr. Caius in Falstaff, and Chevalier de la Force in Dialogues of the Carmelites.
His regional theater credits include Sweeney Todd (Pirelli/Fogg) and The Manic Monologues with Moonbox Productions in Harvard Square, Fiddler on the Roof (Motel) and The Music Man with Charlottesville Opera, and The Museum of Broken Relationships with SpeakEasy Stage.
Mr. DePuy has also established himself as a presence on the concert stage, where highlights of recent seasons include performances of Orff’s Carmina Burana, Bach’s St. John Passion, St. Matthew Passion, Easter Oratorio, and Mass in B Minor, Handel’s Israel in Egypt and Messiah, Mozart’s Requiem, Solemn Vespers, and Coronation Mass, Schubert’s Mass in G, Haydn’s Seven Last Words, Rachmaninoff’s All Night Vigil, Stravinsky’s Mass, Buxtehude’s Membra Jesu Nostri, Charpentier’s Messe de Minuit, the Evangelist in Bach’s Christmas Oratorio, and the title role in Handel's Judas Maccabaeus.
A native of Rochester, NY, Ethan earned degrees in voice and opera performance from SUNY Fredonia and Arizona State University. He is a proud member of Actor’s Equity Association.